Orchestral
Bello amanecer, 2015
An arrangement of the song by Tito Henríquez (used by permission).
Commissioned by the Dominican Republic Symphony for the soprano Melliangie Pérez. Premiered by the Dominican Republic Symphony at the National Theater, Santo Domingo, Dominican Republic (February 2015).
Inst.: Fls (2), Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 3), Harp (1), Soprano and Stringss.
Duration: 4:00 min.
Burbuja de amor/Lágrimas negras, 2015
An arrangement of songs by Juan Luis Guerra and Miguel Matamoros respectively (used by permission).
Commissioned by the Dominican Republic Symphony for the soprano Melliangie Pérez. Premiered by the Dominican Republic Symphony at the National Theater, Santo Domingo, Dominican Republic (February 2015).
Inst.: Fls (2), Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 3), Harp (1), Soprano and Strings.
Duration: 4:00 min.
I Could Have Dance All Night, 2013
An arrangement of the song by Alan Jay Lerner and Frederic Loewe (used by permission).
Commissioned by Pro Arte Musical for the singer Deborah Voigt, Georgian mezzo-soprano Anita Rachvelishvili and Puerto Rican tenor Rafael Dávila. Premiered by the Puerto Rico Symphony under the direction of Maximiano Valdés at the Luis A. Ferre Performance Arts Center, San Juan, Puerto Rico (June 8, 2013).
Inst.: Fls (2), Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 3), Harp (1), and Strings.
Duration: 4:00 min.
All The Things You Are, 2011
An arrangement of the song by Jerome Kern (used by permission).
Commissioned by Rumanian singer Angela Gheorghiu. Premiered by the Vancouver Symphony under the direction of Bramwell Tovey at the Orpheum Theater, Vancouver, Canada (April 3, 2011) and the Canada Opera Company Orchestra and the Toronto Symphony under the direction of Stephen White at the Roy Thomson Hall, Toronto, Canada (April 7, 2011).
Inst.: Fls (2),Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 3), Harp (1), and Strings.
Duration: 5:00 min.
Batiri, 2002
An arrangement of the song by Poncho Sánchez (used by permission).
Commissioned by the Berklee Agency for Poncho Sánchez Latin Jazz Ensemble and Symphony Orchestra. Premiered by the Reading Symphony, Pennsylvania at the Sovereign Performing Arts Center as part of the 13th Annual FirstEnergy Berks Jazz Fest (March 2003).
Inst.: Picc (1), Fls (2),Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 3), Harp (1), and Strings. Featuring a Latin–Jazz Ensemble.
Duration: 8:37 min.
Dansa, 2002
An arrangement of Heitor Villa-Lobos’ Bachiana Brasileira No. 4. (used by permission).
Commissioned by the Storm King Music Festival, Cornwall on Hudson, New York. Premiered at the Storm King Music Festival (June 2002).
Inst.: Fl (1), Ob (1), Cl (1), Vl (2), Vla (1), Cello (1), Piano (1)
Duration: 5:00 min.
Estrellita, 2011
An arrangement of the song by Manuel Ponce (used by permission).
Commissioned by Rumanian singer Angela Gheorghiu. Premiered by the Vancouver Symphony under the direction of Bramwell Tovey at the Orpheum Theater, Vancouver, Canada (April 3, 2011), the Canada Opera Company Orchestra, the Toronto Symphony under the direction of Stephen White at the Roy Thomson Hall, Toronto, Canada (April 7, 2011) and the Shanghai Symphony Orchestra.
Inst.: Fls (2),Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 3), Harp (1), and Strings.
Duration: 5:00 min.
50 Años de salsa, 1997
A symphonic journey of five medleys of five decades of tropical music. Arranged by Raymond Torres-Santos.
Premiered by the Puerto Rico Symphony Orchestra under the direction of Raymond Torres-Santos at the Luis A. Ferre Performance Arts Center, San Juan, Puerto Rico (May 1997).
Inst.: Picc (1), Fls (2),Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 3), Harp (1), and Strings. Plus a Latin–Jazz Ensemble
Duration: 1 hr.
La Borinqueña, 2002
An arrangement on the Peanut Vendor, op. 64.
Commissioned by the National Chinese Orchestra in Taiwan. Premiered by the National Chinese Orchestra at the Taipei Emperor Hall under the direction of Chun-chan Qu (September 2002).
Inst.: Traditional Chinese instruments
Duration: 3 min.
Música ceremonial Española
Written for the film, 500 Años de Evangelización en Puerto Rico.
Inst.: Hns (1), Tps (2), Tbs (1) and Percussion (1) [optional]
Duration: 4:08 min.
Rafael Hernández Medley
Recorded by the Puerto Rico Brass Ensemble.
Inst.: Hns (1), Tps (2), Tbs (1), Bar Hn (1), Euph (1), Tuba (1) and Percussion (1) [optional]
Duration: 5 min.
Volare, 2011
Re-arrangement and adaptation of the song by Domenico Modugno (used by permission)
Commissioned by Almud Music for Andrea Bocelli. Premiered in USA tour (November 2011).
Inst.: Fls (2),Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 1), Drums, Piano (1), Elect. Bass, Gt. (1), Harp (1), and Strings + Voice.
Duration: 3:30 min.
Watermelon Man, 2002
An arrangement of the song by Herbie Hancock.
Commissioned by the Berklee Agency for Poncho Sánchez Latin Jazz Ensemble and Symphony Orchestra. Premiered by the Reading Symphony, Pennsylvania at the Sovereign Performing Arts Center as part of the 13th Annual FirstEnergy Berks Jazz Fest (March 2003).
Inst.: Picc (1),Fls (2), Obs (2), Cls (2), Bs (2), Hns (4), Tps (3), Tbs (3), Tuba (1), Percussion (Timp + 3), Harp (1), and Strings. Featuring a Latin–Jazz Ensemble
Duration: 6:18 min.
Vocal/Choral
Ev’ry Time I Feel the Spirit
Text: Traditional Spiritual (public domain).
Inst.: Mixed chorus (SATB) and Piano
Duration: 3 min.
Hark! The Herald Angels Sings
An arrangement of Felix Mendelssohn’s composition (public domain).
Inst.: Mixed chorus (SATB) and Piano
Duration: 3 min.
Lover
An arrangement of Richard Rogers’ composition (used by permission).
Inst.: Flute obbligato and Mixed Chorus (SATB)
Duration: 3 min.
Pastores a Belén: A Christmas Carol from Puerto Rico (traditional)
To Bethlehem the Shepherds Go (an arrangement)
Performed by the Puerto Rico Symphony at the Luis A. Ferre Performance Arts Center in San Juan, Puerto Rico (1989-2000). Also performed by the Pacific Symphony under the direction of Lucas Richman (April 1990) and the North Massachusetts Philharmonic under the direction of Michelle Graveline (December 2000).
Available in both Spanish and English lyrics. Traditional text.
Version I – 1984
Inst.: Chorus (SATB) and Piano
Version 2 – (orch.) 1989
Duration: 5 min.
Song of the Ñustas
Traditional Quechua language(with phonetic translation) (public domain).
Inst.: Children’s Chorus (SSA) and Piano
Duration: 2 min.
Jazz – Big Band Charts
Inst.: Saxes (5) [AATTB], Tps (4), Tbs (4), Elect Gt (1), Bass (1), Piano (1) and Drums (1)
| New York, New York | 3:56 |
| Shaft | 3:00 |
| I Wish | 4:00 |
Inst.: Voice, Saxes (5) [AATTB], Tps (4), Tbs (4), Elect Gt (1) , Bass (1), Piano (10), Synth and Drums
| Let’s Dance | 3:00 |
| Fame | 3:00 |
Jazz Piano
| Perdido | 4:12 |
| Que sabes tú | 6:37 |
| Felices días | 5:36 |
| María Cervantes | 8:26 |
Instrumental Pop Music
| Format Instrumentation | Title | Score/Parts Available | Artist | Year | Duration |
|---|---|---|---|---|---|
| Symphony Orchestra | La Borinqueña | score and parts | P.R. Symphony | 1993 | 3:00 |
| Symphony Orchestra | Medley criollo | score and parts | P.R. Symphony | 2008 | 4:24 |
| Traditional Chinese Orchestra | Manicero Fantasy | score | National Chinese Orchestra | 2002 | 7:12 |
| Symphonic Band | Pedro Flores Medley | score | Cidra Municipal Band | 1977 | 8:00 |
| Fl (1), Ob (1), Cl (1), Elect Gt (1), Bass (1), Piano (1), Dr (1), Perc. (1) and Strings | Mi última canción | score | Guillermo Venegas | 1975 | 4:45 |
| Fl (1), Ob (1), Cl (1), Elect Gt (1), Bass (1), Piano (1), Dr (1), Perc. (1) and Strings | Concierto de amor | score | Guillermo Venegas | 1975 | 3:19 |
| Fl (1), Ob (1), Cl (1), Elect Gt (1), Bass (1), Piano (1), Dr (1), Perc. (1) and Strings | Isul-Gloria | score | Guillermo Venegas | 1975 | 4:56 |
| Fl (1), Ob (1), Cl (1), Elect Gt (1), Bass (1), Piano (1), Dr (1), Perc. (1) and Strings | Hasta que me oiga Dios | score | Guillermo Venegas | 1975 | 3:54 |
| Fl (1), Ob (1), Cl (1), Elect Gt (1), Bass (1), Piano (1), Dr (1), Perc. (1) and Strings | ¿Por qué? | score | Guillermo Venegas | 1975 | 3:13 |
| Trumpet solo, Rhythm Section and Strings | Ahora | score and parts | Luis Aquino | 1999 | 5:40 |
| Trumpet solo, Rhythm Section and Strings | Doing Just Fine | score and parts | Luis Aquino | 1999 | 5:43 |
| Trumpet solo, Rhythm Section and Strings | Kiss from a Rose | score and parts | Luis Aquino | 1999 | 4:46 |
| Trumpet solo, Rhythm Section and Strings | Typewriter Song | score and parts | Luis Aquino | 1999 | 1:40 |
| Fls (2), F Horn (1), Elect Gt (1), Bass, Piano, Bass, Drums and Strings | Airport/My Fair Lady | score | Escuela Libre | 1974 | 3:00 |
| Fl (1), Trp (1), Cuatro (1) and Rhythm Section | Alma sublime | score | Millito Cruz | 1976 | 3:00 |
| Symphony Orchestra and Latin Jazz Ensemble | Batiri | score and parts | Poncho Sánchez | 2001 | 8:37 |
| Salsa sinfónica | score and parts | PR Symphony | 1997 | ||
| —50 Years of Salsa: A Symphonic Journey of Tropical Music | |||||
| ——Medley ’50 (orch. by Quique Talavera) | 7:50 | ||||
| ——Medley ’60 (orch. by Quique Talavera) | 10:08 | ||||
| ——Medley ’70 (orch. by Raymond Torres-Santos) | 12:37 | ||||
| ——Medley ’80 (orch. by Milton Sesentón) | 7:10 | ||||
| ——Medley ’90 (orch. by José Pujals) | 6:48 | ||||
| Symphony Orchestra and Latin Jazz Ensemble | Watermelon Man | score and parts | Poncho Sánchez | 2001 | 6:18 |
| Fl (1), Ob (1), Cl (1), Vl (2), Vla (1), Cello (1), Piano (1) | Dansa | score and parts | Storm King Music Fest | 2002 | 5:00 |
| Electronic score | I Got Rhythm | score | 1982 | 3:21 | |
| Electronic score | Impromptu | score | film, San Juan | 2000 | 2:48 |
| Electronic score | La negra | score | Roxanna D’Soto | 1999 | 4:00 |
| Electronic score | Puerto Rico | score | film, Puerto Rico | 1992 | 3:00 |
| Electronic score | Tu vives en mi pensamiento | score | film, San Juan | 2000 | 2:39 |
| String Quartet | Born Free | score | PR Conservatory | 1974 | 3:00 |
| 4 Cuatros | Añoranzas y quimeras | score | Paquito López Cruz | 1986 | 3:00 |
| Fl (1), Ob (1), Cl (1), Vl (1), Vla (1), Cello (1), Bass (1) | Dansa (from No. 4 from Bachianas Brasileiras, No. 4) | score and parts | Storm King Festival | 2002 | 5:00 |
| Tps (3), Saxes (4), Bass, Piano and Drums | Brazil | score | Ivonne Naranjo | 1976 | 3:00 |
| Piano Sketch | Bajo la sombra de un pino | score | Marco Antonio Muñiz | 1977 | 4:00 |
| Piano Sketch | Hombre | score | 1975 | 3:00 | |
| Piano Sketch | Life is Music - sketch | score | Las Caribelles | 1976 | 3:00 |
| Piano Sketch | Never Gonna Let You Go | score | Ivonne Naranjo | 1975 | 3:00 |
| Piano Sketch | Star War Odyssey | score | Mario Ortíz Orch | 1977 | 6:42 |
| Piano Solo | Impromptu | score | film, Linda Sara | 1994 | 2:29 |
| Piano and Rhythm | Aurora | score | RTS Jazz Quintet | 1994 | 4:57 |
| Piano and Rhythm | Delirio | score | RTS Jazz Quintet | 1986 | 3:00 |
| Piano and Rhythm | Maria Cervantes | score | RTS Jazz Quintet | 1994 | 8:26 |
| Piano and Rhythm | Perdido | score | RTS Jazz Quintet | 1994 | 4:12 |
| Piano and Rhythm | Que sabes tú | score | RTS Jazz Quintet | 1994 | 6:37 |
| Keyboards | Impromptu | score | film, San Juan 2000 | 2000 | 2:48 |
| Keyboards | Que será | score | film, Que será | 1996 | 2:40 |
| Fl (1), Trp (1), Gt (1) also Cuatro (1), Bass (1), Piano (1), Drums (1) and Percussion | Medley criollo | score and parts | Ballet Juvenil SJ | 1995 | 4:24 |
| Tps (2), Tbs (2) and Percussion | Musica ceremonial Española | score | film, 500 años of evangelización | 1993 | 4:08 |
| Accordion (1), Cuatro (1) and Latin Percussion | Bomba/Plenas | score | film, Puerto Rico | 1992 | 2:21 |
| Voice, Fl (2), Ob (2), Cl (2), Bs (2), Saxes (4), ATB, Fr. Ho. (4), Trp (3), Tbs (3), Elect. Gt (1), Bass (1), Piano (1), Drums (1), Perc (4), Strings | Bello amanecer | score | Filarmónica, Santo Domingo | 2015 | 4:00 |
| Voice, Fl (2), Ob (2), Cl (2), Bs (2), Saxes (4), ATB, Fr. Ho. (4), Trp (3), Tbs (3), Elect. Gt (1), Bass (1), Piano (1), Drums (1), Perc (4), Strings | Burbujadeamor/Lágrimas negras | score | Filarmónica, Santo Domingo | 2015 | 6:00 |
| Guitar (1), Cuatro (1), Bass (1), Guiro (1), Bongos (1) | Jíbaro | score | film, Puerto Rico | 1992 | 1:00 |
| Bari Sax (1), Tbs (3), Bass, Piano and Latin Percussion | Salsa (Intro) (excerpt from Eddie Palmieri’s Puerto Rico) | score | Puerto Rico | 1992 | 1:19 |
| Bari Sax (1), Tbs (3), Bass, Piano and Latin Percussion | Salsa (Chorus) (excerpt from Eddie Palmieri’s Puerto Rico) | score | Puerto Rico | 1992 | 1:20 |
| Fl (1), Trp (1), Bass, Piano, Drums and Percussion | Medley Patriótico (orch. Quique Talavera) | score | Regatta 2000 | 2000 | 2:11 |
| Fl (1), Trp (1), Bass, Piano, Drums and Percussion | Medley Plenas (orch. Quique Talavera) | score | Regatta 2000 | 2000 | 2:07 |
| Fl (1), Trp (1), Bass, Piano, Drums and Percussion | Medley Bombas (orch. Quique Talavera) | score | Regatta 2000 | 2000 | 2:06 |
| Fl (1), Trp (1), Bass, Piano, Drums and Percussion | Medley Jíbaro (orch. Quique Talavera) | score | Regatta 2000 | 2000 | 2:08 |
| Fl (1), Trp (1), Bass, Piano, Drums and Percussion | Medley Salsa (orch. Quique Talavera) | score | Regatta 2000 | 2000 | 2:07 |
| Brass Ensemble and Percussion (optional) | Rafael Hernández Medley | score | PR Brass Ensemble | 1997 | 5:00 |
| —Noche de Navidad | |||||
| —Durmete niñito | |||||
| —Casitas de la montaña | |||||
| —Celebremos todos juntos | |||||
| — Aleluya | |||||
| Saxes (4)AATBalso Fl, Tps (3), Tbs (3), Bass, Piano and Drums | Star War Odyssey | score and parts | Mario Ortíz Orch. | 1979 | 6:42 |
| Saxes (4)AATBalso Fl, Tps (3), Tbs (3), Bass, Piano and Drums | Remembrance | score and parts | Freddy Miranda | 1977 | 6:00 |
| Saxes (4)AATB also Fl, Tps (3), Bass, Piano and Drums | Roots (Mural Theme) | score | Mario Ortíz Orch. | 1979 | 3:00 |
| Saxes (4)AATB also Fl, Tps (3), Bass, Piano and Drums | Sylvia Rexach Medley | score | Mario Ortíz Orch. | 1979 | 6:00 |
| T Sax (1), Trps (2), Trb (1), Bass, Piano and Drums | Titoro | score | Expose | 1974 | 3:00 |
| Fls (2), Cello (1) and Accordion | Top of the World | score | Escuela Libre de Música | 1974 | 3:00 |
| Saxes (5) AATTB, Trps (3), Bass, Piano, and Drums | Ha llegado el guaguancó | score | Juan Mari | 1972 | 3:00 |
| Saxes (5) AATTB, Trps (3), Bass, Piano, and Drums | Moon River | score | Juan Mari | 1972 | 3:00 |
| Saxes (5) AATTB, Trps (3), Bass, Piano, and Drums | Tristeza | score | Juan Mari | 1972 | 4:07 |
| Saxes (5) AATTB, Trps (3), Bass, Piano, and Drums | Triste Navidad | score | Juan Mari | 1972 | 3:00 |
| Fls (2), Obs (2), Cls (2), Bs (2), F Horns (4), Trps (3), Trbs (3), Percussion | West Side Story | score | Escuela Libre de Música | 1974 | 6:00 |
Vocal/Orchestral Pop Music
| FORMAT INSTRUMENTATION | TITLE | SCORE/PARTS AVAILABLE | ARTIST | YEAR | DURATION |
|---|---|---|---|---|---|
| Chorus (SATB) and Piano | Pastores a Belén | 2:00 | |||
| Chorus (SATB), Fl (1), Cl (1), Ob (1), Bs (1), Hn (1), Cel (1), Hp (1), Percussion (1) and Strings | Pastores a Belén | ||||
| Children’s Chorus (SSA) and Piano | Song of the Ñustas | score | 1984 | 2:00 | |
| Voices and Rhythm Section | Bombas | score | Regatta 2000 | 2000 | 2:21 |
| Voices and Rhythm Section | Plenas | score | Regatta 2000 | 2000 | 2:07 |
| Voices and Rhythm Section | Jíbaro | score | Regatta 2000 | 2000 | 2:08 |
| Voices and Rhythm Section | Salsa | score | Regatta 2000 | 2000 | 2:07 |
| Voices and Rhythm Section | Bomba/Plena | score | Film, Puerto Rico | 1992 | 2:21 |
| Mixed Chorus (SATB) and Piano | Ev'ry Time I Feel the Spirit | score | 1983 | 3:00 | |
| Voice, Saxes (4) AATB, Tps (3), Tbs (3), Elect Gt (1), Bass (1), Piano (1), Drums (1) and Percussion (1) | El Camino del amor | score | Candi Sosa | 1982? | 2:49 |
| Voice, Saxes (4) AATB, Tps (3), Tbs (3), Elect Gt (1), Bass (1), Piano (1), Drums (1) and Percussion (1) | Cuidate | score | Candi Sosa | 1982? | 2:49 |
| Voice, Saxes (4) AATB, Tps (3), Tbs (3), Elect Gt (1), Bass (1), Piano (1), Drums (1) and Percussion (1) | Christmas Song | score | Thomas Dorsey | 1988 | 2:49 |
| Voice and rhythm section | Soñando con Puerto Rico | score | George Ríos | 1980 | 4:01 |
| Voice, Saxes (4) AATB, Tps (3), Tbs (3), Elect Gt (1), Bass (1), Piano (1), Drums (1) and Percussion (1) | A Dios | score | Tony Ramos | 1980 | 3:00 |
| Voice, Bari Sax (1), Tps (3), Tbs (3), Bass (1), Piano (1) and Latin Percussion | Blasfemia | score | José “Perico” Hernández | 2003 | 3:00 |
| Voice, Tp (1), Bass, Piano and Latin Percussion | Bachata rosa | score | Masacote | 1990 | 3:51 |
| Voice, Tps (2), Tbs (2), Bass (1), Piano (1) and Latin Percussion | Canceco | score | Masacote | 1990 | 4:30 |
| Voice, Tps (2), Tbs (2), Bass (1), Piano (1) and Latin Percussion | Cero codazos | score | Masacote | 1990 | 3:57 |
| Voice, Saxes (5) AATTB, Tps (3), Tbs (3), Elect Gt (1), Bass (1), Piano (1) and Drums (1) | Adoración | score | Billy CarriónLucecita Benitez | 1996 | 4:14 |
| Amor pasajero | score | Orquesta Puerto Rico | 1972 | 3:00 | |
| Voice, T Sax also flute, Tp (1), Elect Gt (1), Bass (1), Keyboards, Drums (1) and Percussion (1) | Alianzas | score | Candi Sosa | 2005 | 3:00 |
| Al marcharte | score | Candi Sosa | 2005 | 3:00 | |
| Alma llena | score | Candi Sosa | 2005 | 3:00 | |
| Cariño | score | Candi Sosa | 2005 | 3:00 | |
| Corazon de cristal | score | Candi Sosa | 2005 | 3:00 | |
| Creo en tí | score | Candi Sosa | 2005 | 3:00 | |
| Cuando el amor se va | score | Candi Sosa | 2005 | 3:00 | |
| Después de hoy | score | Candi Sosa | 2005 | 3:00 | |
| El Camino del amor | score | Candi Sosa | 2005 | 3:00 | |
| Para quedarme contigo | score | Candi Sosa | 2005 | 3:00 | |
| Tendrás que estar en mí | score | Candi Sosa | 2005 | 3:00 | |
| Voice, Tp (1), Tb (1), Bass (1), Piano (1) and Drums (1) | Amanecer Borincano | score | Los Hispanos | 1976 | 3:00 |
| Dingily Din | score | Los Hispanos | 1976 | 3:00 | |
| Voice, A Sax (1), Tps (2), Tb (1), Bass (1), Piano (1) and Drums (1) | Amigo mío | score | Codazo | 1974 | 3:00 |
| Dueña y señora | score | Codazo | 1976 | 3:00 | |
| El sexto mandamiento | score | Rey Torres/Codazo | 1974 | 3:00 | |
| El pecador | score | Codazo | 1974 | 3:00 | |
| El show ya terminó | score | Codazo | 1974 | 3:00 | |
| Esta tarde vi llover | score | Codazo | 1974 | 3:00 | |
| Estoy sola | score | Codazo | 1974 | 3:00 | |
| Igualdad | score | Codazo | 1974 | 3:00 | |
| La estrella de David | score | Codazo | 1974 | 3:00 | |
| Quisiera no quererte más | score | Monín/Codazo | 1974 | 3:00 | |
| Sólo agua, sólo arena | score | Codazo | 1974 | 3:00 | |
| Sueño imposible | score | Codazo | 1974 | 6:10 | |
| Te llaman, Miss Universo | score | Codazo | 1974 | 3:00 | |
| Yo creo en Dios | score | Codazo | 1974 | 3:00 | |
| Voice, Fl (1), Cello (1), Gt (1), Bass (1), Piano (1), Drums (1) and Percussion (1) | Verde luz | score | Lucecita Benitez | 1976 | 3:00 |
| Voice, Bass (1), Piano (1), Drums (1) and Strings | Amor, ya no me quieras tanto | score | Brenda Feliciano | 2001 | 3:00 |
| Voice, Fl (1), Cl (1), Flugel (1), Cuatros (2), Piano (1), Bass (1), Drums (1), Percussion (1), Vlns, and Cellos | Añoranzas y quimeras | score | Gilberto Monroig | 1978 | 4:18 |
| Voice and Symphony Orchestra | Aquellos ojos verdes | score | Plácido Domingo | 2004 | 3:00 |
| Así es mi tierra | score | Los Hispanos | 1996 | 4:49 | |
| Compañera del silencio | score | Ray Brown | 1976 | 3:00 | |
| El día que me quieras | score | Plácido Domingo | 2004 | 4:00 | |
| Golondrinas Yucatecas | score | Plácido Domingo | 2004 | 4:00 | |
| Las campanas de la catedral | score | Los Hispanos | 1996 | 4:54 | |
| Malagueña | score | Plácido Domingo | 2004 | 3:00 | |
| Tú y yo | score | Danny Rivera | 1979 | 3:47 | |
| Volare | score and parts | Andrea Bocelli | 2011 | 3:30 | |
| Voice, Saxes (4) AATB also Fl and Cl, Tps(3), Tbs (3), Saxes (3), Rhythm Section and Strings | Broadway Medley | score | 4th of July | 1994 | 8:00 |
| Voice, Chorus, Tps (3), Tbs (3), Elect Gt (1), Bass (1), Piano (1), Drums (1) and Strings | Ya, ya déjame en paz | score | Ednita Nazario | 1977 | 2:52 |
| Vete, vete | score | Ednita Nazario | 1976 | 3:05 | |
| Mi remedio es cantar | score | Ednita Nazario | 1977 | 3:38 | |
| Como es grande mi amor por tí | score | Ednita Nazario | 1977 | 4:11 | |
| Voice, Trp (1), T Sax (1), Elect Guit (1), Bass (1) and Keyboards | Amnesia | score | David Bojorquez | 1990 | 3:37 |
| Cariñito | score | David Bojorquez | 1990 | 4:13 | |
| Linda | score | David Bojorquez | 1990 | 4:10 | |
| Malagueña | score | David Bojorquez | 1990 | 6:21 | |
| Señora | score | David Bojorquez | 1990 | 2:59 | |
| Voice, Chorus, Tps (2), Tb (1), Bass (1), Piano (1) and Latin Percussion | Canceco al bate | score | Masacote | 1979 | 4:30 |
| Cero codazos | score | Masacote | 1979 | 3:57 | |
| Voice, Saxes (3) ATB, Tps (3), Elect Gt (1), Bass (1), Piano (1) and Drums | Como el viento | score | Junyless | 1974 | 3:00 |
| Vuelve amor | score | Junyless | 1974 | 3:00 | |
| Voice, Fls (3), Ob (1), Flugel (1), Elect Gt (1), Piano (1), Bass (1), Drums (1), Percussion, Vlns and Cellos | Compañera soledad | score | El Topo | 1978 | 2:38 |